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23 Vol 4 Num 5 February 2010
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Authors | Barry N. Malzberg
Barry N. Malzberg: Initially in his post-graduate work Malzberg sought to establish himself as a playwright as well as a prose-fiction writer. He first found commercial and critical success with publication of his surreal novelette "Final War" in The Magazine of Fantasy and Science Fiction under the name K. M. O'Donnell in 1968. By then, he had begun working for the Scott Meredith Literary Agency, in 1965, and would intermittently continue with SMLA through the next several decades, being one of its last caretakers.
Barry N. Malzberg is the author of more than 30 SF novels and more than 250 SF short stories, as well as thrillers and erotic novels under his own name and various pseudonyms. He won the John W. Campbell Memorial Award for his 1972 novel, Beyond Apollo.
Learn more at: http://www.scifi.com/scifiction/classics/classics_archive/malzberg/malzberg_bio.html
Interregnum Full StoryFrom: By the end of the 1950's, just in time for the Great Fall, genre science fiction had become at the top of its range a beautiful, precise instrument. |
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The Prince of Stasis Full StoryFrom: Raymond Carver's complete collected short stories, just published by the Library of America, are an interesting and disturbing concatenation; quality lit at its cusp in the late twentieth century. |
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The Laxian Key Full StoryFrom: The guy who pumps gas at the local Shell is genuinely contemplative and thoughtful. |
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Goodbye to the Happy Few Full StoryFrom: Four more issues of Baen's Universe, four more columns. |
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Terminal Error Full StoryFrom: From a recent letter to Todd Haines, Artistic Director of the Roundabout Theater in New York City: “Mark Saltzman's new Tin Pan Alley Rag is very promising, neatly staged, but the play rests upon an historical inaccuracy which undercuts seriously, and I am surprised that neither the playwright nor someone in the Roundabout chain of command failed to spot it. |
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Fragments of Sussex Full StoryFrom: He, Suspension, Darkness Ballard's "condensed novels," brief snapshots of the century in turmoil, began in New Worlds in the early 1960's, were aggregated into The Atrocity Exhibition, a collection at the end of that decade and probably had more effect upon science fiction than any other work from that period. |
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Across the Gates Full StoryFrom: Another of my abandoned projects: a series of alternate histories in which science fiction writers have their careers instead in the mainstream or mainstream writers become science fiction writers instead. |
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Master of the Abyss Full StoryFrom: "This man" Jonathan Lethem said, pointing to me at the rear of the room in which his Readercon Guest of Honor interview was taking place, "had a direct hookup thirty-five years ago to the outcome of the space agency. Astronauts driving cross-country in diapers to speed along a murder plot. The crazy collapse of it all." |
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Letting The Guns Bury Them Full StoryFrom: John F. Carr's new biography of H.Beam Piper (McFarland 2008) is pretty good, and has some fascinating leads as they like to say (and too much on Piper's pre-publishing life; the book has reached page 71 before reaching in chronology his first sale) but ultimately it is more of science fiction publishing's decades in Piper's working lifetime than of the author himself. |
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Scattershot Again Full StoryFrom: Harold Ross's major selling point for The New Yorker whose first issue he published in February of 1925 was that his magazine was definitely "Not for the little old lady in Dubuque." |
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At the O. K. Corral Full StoryFrom: Early on in what I then thought of as my "career" I had Big Plans. |
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Scattershot Again Full StoryFrom: Scattershot One: Arthur Clarke was cool and hot on the page. |
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The Toy Shop Full StoryFrom: That's what Jimmy Cannon of the New York Post called the newspaper Sports Department. |
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Substantial Fire, or Why This Column Almost Didn't Appear Full StoryFrom: Three passes at an opening, one reaching a quarter-length of a full column, and I abandoned each in disgust. |
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From the Catacombs Full StoryFrom: The Distinguished Editor in the past has had a question. |
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Scattershot Full StoryFrom: Harold Bloom coined the term "Anxiety of Influence" in the 1970's, describing the situation facing the contemporary poet, but it transports effortlessly to science fiction. |
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The Conventional Wisdom Full StoryFrom: Kurt Vonnegut called the phenomenon "Foma" . . . myths whose falsity was well understood but which we had quietly agreed to treat as if they were true. |
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Overtaken Full StoryFrom: Here was Plan The First for this installment. |
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Arias & Barcarolles Full StoryFrom: From its inception as a category of publishing in this country (the first issue being Gernsback's April, 1926 Amazing Stories), science fiction was a literature of ideas. |
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From the Heart's Basement February 2007 Full StoryFrom: Here is the third incarnation of this column of commentary; there were eight in Pulphouse in the early 90's and then a couple in Ellen Datlow's online Event Horizon in 1998. |
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