IN THIS ISSUE
11 Vol 2 Num 5 February 2008
Departments
Resources
Other Issues
Fantasy Stories
Sluggo
Click here to subscribe. If you are already a subscriber, click here to log in.
Illustrated by Karl Nordman
He was born in the charity ward at 3:07 a.m. on March 5, 1931. There were two nurses in attendance.
The first took one look at him and fainted.
The other ran screaming from the room, raced out into the cold Chicago night, and refused ever to come back even to pick up her pay.
The doctor who delivered him wanted him destroyed, but as a practicing Catholic he could not bring himself to do so until the baby had been baptized. His parish priest looked at the baby in its incubator, crossed himself, and left. Three more priests refused to baptize the infant, and finally the doctor reluctantly decided to let him live.
His mother committed suicide two months later.
His father left town a month after that, never to return, and he became a ward of the state.
He was placed in an institution for the insane, though there was nothing wrong with his mind. Thirty-seven nurses were offered triple pay if they would care for him. Thirty-three decided that triple pay wasn’t anywhere near enough. The four who agreed worked in six-hour shifts and found ways to cover for each other on the weekends.
He had no birth certificate, and hence no name. One of the nurses referred to him as a grotesque slug, and from that day on, Slug was what they called him, and Slug was what he answered to.
No other inmate was ever allowed to see him. He lived alone in his windowless room, unable to read, unable to interact with anyone but his nurses, who kept him at arm’s length whenever possible. This was before the days of television, so his entire knowledge of the outside world came from the few picture books they allowed him to see. No one knew how strong he was, or what his abilities might be, so the pulps—and especially the horror pulps and comics—were forbidden to him. Gradually, despite the shape of his mouth, he learned to speak; after all, he had a lot of time on his hands.
It was assumed that he would remain in the institution for the duration of his life, but there was some graft, as there always is in Chicago, and one day the place had to close its doors for lack of funding. They tried to find another institute or asylum that would take the Slug, but after one look each refused, some cordially, some in terror.
What was to be done with a being—it was difficult to think of him as a twenty-two-year-old man, or indeed any kind of man at all—that no one wanted but could no longer be kept hidden?
Actually, the answer was really quite simple.
Remember Riverview?
For half a century it was the country’s second-biggest amusement park, behind only Coney Island. (They weren’t “theme parks” prior to Disneyland.) From early spring until late fall, its seventy-four acres were jammed from dawn until far into the night with thrillseekers from all across the country. People came from as far away as Paris and Buenos Aires just to ride the Bobs, which was the most famous roller coaster in the world. And when they were through with the Bobs, they’d test their courage and their stomachs with the Blue Streak, the Silver Flash, the Big Dipper, the Wild Mouse, and the Skyrocket.
Even by day you could spot the two-hundred-foot-high Pair-o-Chute tower from more than a mile away. And at night you could see Super Eli, the world’s biggest Ferris wheel, lit up like a Christmas tree, from almost as far away.
There was the Rotor, which held you suspended in space, and the Flying Turns, which damned near sent you off into space, and on hot summer days people would wait for half an hour to take the long slide into the water on the Chute-the-Chutes. They’d play Skee-Ball and dozens of other games imported from the midway. There was the Ghost Train, a haunted house on wheels that drove through winding darkened tunnels, and the Tunnel of Love, for those who craved a different kind of excitement in the dark.
And there was the Congress of Oddities, although most people just called it the freak show. It was the one place in the whole of Chicago where it was felt that the Slug might earn his keep.
They put him on display there at noon on August 17, 1953.
People screamed, just like they were supposed to.
But then, like the nurses twenty-two years earlier, they fainted. And had hysterics. And vomited. And raced out of the tent, and didn’t stop running until they were forcibly (and twice fatally) stopped by traffic beyond Riverview’s front entrance. Even the 700-Pound Lady and the Four-Armed Boy refused to appear with the Slug.
They took him off display, permanently, at 1:22 p.m. on August 17, 1953.
But he had no place to go, and they couldn’t just turn him loose and let him wander the streets of Chicago, not with the reactions his appearance caused. Then somebody came up with the bright idea of Aladdin’s Castle.
The Castle was the biggest fun house in existence. It took better than a half hour to go through the whole thing. And there were some pitch-black winding corridors where hideous monsters popped into existence, scaring the hell out of the patrons. What if, it was suggested, they let the Slug wander around those darkened areas, never close enough for the public to see that he was anything more than an illusion. He’d frighten them a lot more than any of the stuff they had right now. And since there were a number of hidden storage areas, he could even live there.
The management was divided on the notion until it was pointed out that he’d be working for his room and board, which is to say: no money would change hands. That settled it. They closed the Congress of Oddities for the rest of the day, and then at midnight they had a couple of their braver maintenance men walk him over to Aladdin’s Castle.
“I wonder what it eats?” said one of them as if the Slug weren’t right alongside them.
“Little kids, probably,” said the other. “Or maybe just mounds of dirt. Anyway, it ain’t our problem.”
The night watchman took one look at him and decided he had urgent business elsewhere for the next two or three lifetimes, but they found the room he’d set up. It had a cot, a chair, a radio (which could only be played after closing), a portable toilet, and a lamp. There was a flap at the bottom of the door where his meals could be shoved through so no one had to come into contact with him.
The Slug thought it was the most luxurious room he’d ever seen.
They showed him where he was supposed to loiter when the Castle was open, then got the hell out of there as fast as they could.
The Slug began exploring his new universe. He’d never had much chance to develop his muscles or practice his balance, so the vibrating room and rolling barrel both disoriented him and caused him to fall down painfully. Then he came to the Hall of Mirrors.
He knew what men and women looked like, because he’d seen pictures of them in books and magazines, but except for looking at his arms and legs, he had never seen himself before. Now he found he could stand in front of a row of near-magical mirrors that distorted reality: this one made him look, if not human, at least a little less grotesque than he’d been led to believe he was; that one gave him almost normal proportions, though of course it couldn’t do much for his skin or features. Because he had never seen any kind of mirror, he thought for a moment that he had miraculously become less of whatever he was. Then he stepped back, and his image changed, and he realized that it was not a true image at all and he remained what he had always been. Still, it fascinated him, this room that made him seem not quite the monstrosity that he was, and he spent almost an hour there, staring at the various Slugs that were reflected back at him.
The next day the Slug began working at the only job he would ever have. Within a week Aladdin’s Castle had passed the Bobs as Riverview’s biggest moneymaker.
****
In his first two years, he only met one employee, though “met” is the wrong word, because Andrew Varda never got near him, never said a word to him, always averted his eyes when the Slug chanced to be in his vicinity.
Andrew was the only person on display at the Castle. Ostensibly he was a guard, and he dressed the part—dark blue shirt and pants, phony badge, realistic-looking toy gun. But Andrew was there for one thing only. There was a slanted room where people got terribly disoriented and usually had to grab a railing just to make their way to the end of it—and the end of it was a small door leading to an outdoor staircase that in turn led up to the second level. Varda’s job was to watch each person as they exited the slanted room and began climbing the stairs, and every time a pretty girl in a skirt emerged, he pressed a hidden button and an air hose embedded in the stairs would blow the girl’s skirt up almost to her head. About once a month there’d be a girl who was wearing nothing underneath, and about once a year a girl would turn out to be a very mixed-up boy who was wearing nothing underneath, but usually it was done, and accepted, in good fun.
The Slug thought Varda had a fascinating job. He got to sit outside, in the fresh air, and to see and interact with people—the same people who screamed in terror or turned away in revulsion, even when they thought he was a wax figure or a projection.
Then, in the summer of 1955, while most of Chicago was rooting for the resurgent “Go-Go Sox” or awaiting the much-heralded Nashua-Swaps match race, the Slug, who had never spoken to anyone but a doctor or a nurse, had his very first real conversation. It didn’t last long, which was just as well because he didn’t know a lot of words, but that it took place at all was remarkable.
He was trudging from his room to one of the spots from which he would jump out and scare the customers when he heard a sound he had never heard before. Curious, he approached it, and found a small girl, perhaps eight or nine years old, crying softly. He knew he shouldn’t stand where she could see him, that the sight of him would terrify her as it terrified everyone else, but he couldn’t help himself. He had never been this close to anyone other than a doctor, a nurse, or, just for a few minutes, the two men who walked him over from the Congress of Oddities, and he was fascinated.
He must have made a sound—in fact, it was almost impossible for him to breathe silently—and the girl looked up.
The Slug backed away, waiting for the inevitable scream of terror.
“Don’t be afraid,” said the girl. “I won’t hurt you.”
The Slug stopped and stared at her.
“My Daddy told me all about you,” she said. “You live here.”
The Slug remained motionless, unsure of what to do next.
“He’s the one who works the blowers and makes the girls’ skirts go up,” she continued. “Usually they laugh, but sometimes they cry. He said I was getting in everyone’s way, and that I should go backstage until Aladdin’s Castle closed.” She looked around. “I guess this is backstage. It must be, since you’re here.”
He had never heard the word “backstage” before. He didn’t know what to say.
“Can you talk?” she asked.
It had been a long time, but he remembered how to form the word. “Yes,” he grated.
“My name is Nancy. Do you have a name, or are you just a thing like Daddy says?”
“Slug.” Slowly he forced the words out. “I am Slug.”
She smiled happily. “Then we’re Nancy and Sluggo, just like in the comic strip. We’re a team.”
He tried to mouth the word. “Nancy.”
“You’re very ugly,” she noted. “But the world is full of ugly things. Today I saw birds pulling apart a dead cat in the alley behind our apartment, eating its insides, and it was much uglier than you. I don’t know why everyone is afraid of you.” She stared curiously at him. “You don’t really eat babies, do you?”
“Baby spiders,” he said. “And sometimes baby mice.”
“But not baby people?” she persisted.
“I have never seen a baby person,” said the Slug. “Until you.”
“I’m not a baby,” she explained seriously. “I’m a girl.”
“Girl,” he repeated.
Suddenly she looked around. “It’s not as crowded now. I think I should leave before Daddy comes looking for me. He’ll be very mad if he thinks I have been visiting with you.”
The Slug thought it was probably an understatement, but made no reply.
“May I come visit you again?” she asked.
The thought that anyone might want to see him again so surprised him that he was speechless.
“I’m sorry,” she said after a moment. “I didn’t mean to make you angry. I apologize.”
She turned to leave.
“Yes!” he yelled in his inhuman voice, and the few people in the Castle tried to figure out where the sound came from. He spoke more softly. “Please.”
“Tomorrow, when it’s busy,” she promised. “Good-bye, Sluggo.”
He tried to say “Good-bye,” but she was gone before he could form the words and push them out.
When he was through terrifying people for the night, he went back to his room and practiced saying “Hello, Nancy” for a whole hour until the words slid right out as if he were a normal human being. Then he went to sleep and dreamed of a world filled with little girls who were not afraid of him.
****
She was back the next day, as promised.
“Hello, Sluggo,” she said. “How are you today?”
“Hello, Nancy,” he said without stumbling on the words.
“Isn’t is a lovely day?”
“I do not understand.”
“Oh, I forgot,” she said. “You’re not allowed to go out, are you?” She shrugged. “Oh, well—it doesn’t make any difference. We can play right here.”
“Play?” asked the Slug.
“You know—a game.”
He stared at her.
“Haven’t you ever played a game?” she asked.
He shook his head.
“Well, then, I’ll teach you.”
And she did.
****
A week later she asked if there was anything he wanted or needed, like perhaps an ice cream cone, and maybe a cotton candy.
“One thing,” said the Slug.
“What is it?”
“I am alone all day when you leave. Teach me to read.”
“I’ll teach you what they’ve taught me,” she said. “Every day I’ll stop by and give you a lesson. Well, almost every day.”
That began the Slug’s education. She brought him Dick and Jane books, and then her second-grade reader, and before long he began asking her for other books.
“You’re learning faster than I did,” Nancy noted. “My Aunt Penny gave me a Nancy Drew book for my birthday. I’ll bring it tomorrow.”
It took him two nights to read it, and he spent another night thinking about it.
“Is the world like that?” he asked when he returned the book.
“I don’t know,” answered Nancy. “I’ve never been more than a few blocks from here. But maybe someday we will go exploring together.”
He made no answer.
“No, I guess we won’t, will we?” she said.
****
They became friends, of course. Her mother was dead, and her father worked at his minimum-wage job every single day during high season, which lasted from early April until late September, and six days a week the rest of the year. She had other friends, to be sure, girls and even a few boys her own age, but every little girl wants a secret friend, and the Slug was hers.
Anytime someone was giving or throwing away a book, she appropriated it for him, and in the course of the next three years he read Shakespeare and Dickens, Twain and Melville, Kipling and Tolstoy. He didn’t understand most of it, and he had only the haziest notion of geography and politics, but he
That ends the preview. Probably in the middle of a sentence. Sorry.
Click here to subscribe. If you are already a subscriber, click here to log in.
If you would like to comment on this story, or if you would like to submit to future "Letters to the editor" columns in JBU, please write us at letters@baensuniverse.com.
Note: If you want to remain anonymous, or unpublished, tell us that. If you're writing about subscription problems, please contact our subscription folks at members@baensuniverse.com instead. Thanks.
Mike Resnick sold his first science fiction novel more than 40 years ago, and his first stories even farther back than that. According to ......
(To read the rest of this bio, and see other stories in Jim Baen's Universe visit Mike Resnick's author page.)
![Universe trucker hat [Advertisement]](http://www.baensuniverse.com/images/JBU_hat.gif)
